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Here are all the paintings of John Hoppner 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 2408 |
 |
Captain George Porter |
1789
Denver Art Museum |
| 44599 |
 |
Dorothy Jordan as the Comic Muse |
mk173
1786
Oil on canvas
236.9x145.4cm
|
| 2406 |
 |
Jupiter and Io |
1785 |
| 2409 |
 |
Lady Caroline Capel Holding her Daughter Harriet |
|
| 75588 |
 |
Portrait in oils of Eleanor Agnes Hobart |
English: Portrait in oils of Eleanor Agnes Hobart, Countess of Buckinghamshire (died 1851)
Date ca. 1800
cyf |
| 74144 |
 |
Portrait in oils of Eleanor Agnes Hobart, Countess of Buckinghamshire |
Portrait in oils of Eleanor Agnes Hobart, Countess of Buckinghamshire (died 1851)
ca. 1800
cjr |
| 81418 |
 |
Portrait of Adam Duncan |
1798(1798)
Medium Oil on canvas
Dimensions 74.9 x 62.2 cm (29.5 x 24.5 in)
cyf |
| 82592 |
 |
Portrait of Adam Duncan |
. 1798(1798)
Medium Oil on canvas
Dimensions 74.9 x 62.2 cm (29.5 x 24.5 in)
cyf |
| 82909 |
 |
Portrait of Dorothy Jordan |
1791(1791)
Medium Oil on canvas
Dimensions 74.9 x 62.2 cm (29.5 x 24.5 in)
cyf |
| 98122 |
 |
Portrait of George IV |
from 1790(1790) until 1796(1796)
Medium oil on canvas
Dimensions 240 x 148.6 cm
cyf |
| 84359 |
 |
Portrait of Miss Sarah Gale |
18th century
Medium Oil
cyf |
| 68540 |
 |
Portrait of the Frankland Sisters |
Technique Oil on canvas |
| 71592 |
 |
Portrait of the Frankland Sisters |
Date 1795
|
| 76615 |
 |
Portrait of the Frankland Sisters |
1795(1795)
Oil on canvas
155 ?? 125 cm (61 ?? 49.2 in)
cjr |
| 78481 |
 |
Portrait of the Frankland Sisters |
1795(1795)
Medium Oil on canvas
Dimensions 155 x 125 cm (61 x 49.2 in)
cyf |
| 2410 |
 |
Richard Brinsley Sheridan |
|
| 29338 |
 |
Richard Brinsley Sheridan |
mk65
Oil on canvas
30x12"
|
| 43308 |
 |
Sir George Beaumont |
mk170
1803
Oil on canvas
77.5x63.9cm
|
| 68845 |
 |
sir george beaumont |
1806 oil on canvas 77.5x63.9
se |
| 2407 |
 |
The Bowden Children |
1803 |
| 38191 |
 |
The Ladies Sarah and Catherine Bligh |
mk29
c.1790
129.8x102.5cm
Oil on canvas
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| John Hoppner
|
| 1758-1810
British
John Hoppner Galleries
John Hoppner (April 4?, 1758 - January 23, 1810), English portrait-painter, was born in Whitechapel.
His father was of German extraction, and his mother was one of the German attendants at the royal palace. Hoppner was consequently brought early under the notice and received the patronage of George III, whose regard for him gave rise to unfounded scandal. As a boy he was a chorister at the royal chapel, but showing strong inclination for art, he in 1775 entered as a student at the Royal Academy. In 1778 he took a silver medal for drawing from the life, and in 1782 the Academy's highest award, the gold medal for historical painting, his subject being King Lear.
He first exhibited at the Royal Academy In 1780. His earliest love was for landscape, but necessity obliged him to turn to the more lucrative business of portrait painting. At once successful, he had throughout life the most fashionable and wealthy sitters, and was the greatest rival of the growing attraction of Lawrence. Ideal subjects were very rarely at tempted by Hoppner, though a "Sleeping Venus," "Belisarius," "Jupiter and Io," a "Bacchante" and "Cupid and Psyche" are mentioned among his works. The prince of Wales visited him especially often, and many of his finest portraits are in the state apartments at St. James's Palace, the best perhaps being those of the prince, the duke and duchess of York, of Lord Rodney and of Lord Nelson, Among his other sitters were Sir Walter Scott, the Duke of Wellington, Frere and Sir George Beaumont.
Competent judges have deemed his most successful works to be his portraits of women and children. A Series of Portraits of Ladies was published by him in 1803, and a volume of translations of Eastern tales into English verse in 1805. The verse is of but mediocre quality. In his later years Hoppner suffered from a chronic disease of the liver. He was confessedly an imitator of Reynolds. When first painted, his works were much admired for the brilliancy and harmony of their colouring, but the injury due to destructive mediums and lapse of time which many of them suffered caused a great depreciation in his reputation. The appearance, however, of some of his pictures in good condition has shown that his fame as a brilliant colourist was well founded. His drawing is faulty, but his touch has qualities of breadth and freedom that give to his paintings a faint reflection of the charm of Reynolds. Hoppner was a man of great social power, and had the knowledge and accomplishments of a man of the world.
The best account of Hoppner's life and paintings is the exhaustive work by William McKay and W Roberts (1909
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